Romanticism and the Sublime: Painting the Edge of Weather
On a cliff walk after rain, I sketched a horizon so bright it felt like a heartbeat. Romantic painters listened to stormlight this way, letting clouds edit composition and courage. Try a quick study before a storm; share your results and what the wind changed.
Romanticism and the Sublime: Painting the Edge of Weather
Caspar David Friedrich’s quiet trees became companions, not backdrops. Carry a pocket notebook; map feelings to landmarks instead of coordinates. Which path gave you the strongest sense of scale this week? Leave a note, and subscribe for field-note prompts inspired by wild places.